Ottawa Bluesfest 2026 – Day 1
Ottawa Bluesfest 2026 Day 1
Lebreton Flats – July 9/2026
Pictures and Review by Cole Lewis
Despite rainy weather and muddy grounds, day one of Ottawa Bluesfest at LeBreton Flats delivered an impressive mix of emerging talent, international acts, and memorable festival moments.
One of the changes festivalgoers noticed this year was the relocation of the LeBreton Stage under the large tent. The covered venue offering shelter from the rain while creating a more intimate concert experience. Early in the evening, crowds were slow to make their way through the wet grounds, but as the night progressed, the tent became one of the festival’s gathering spots.
Justin Fancy opened the evening with an easy-going set that provided the perfect introduction to a night of music. His laid-back performance matched the relaxed atmosphere as attendees trickled in from around the festival site, shaking off the rain and settling into the evening.
The Lloyd Spiegel Trio quickly changed the energy in the tent. Featuring guitar, drums, and trombone, the group delivered a rich and engaging set that steadily drew people in from the weather outside. What began with a modest crowd grew into a busy audience by the end of their performance, a testament to their musicianship.
The standout performance on the LeBreton Stage came from GOAT. The Swedish collective filled the stage with energy, mystery, and exceptional musicianship. Each member’s unique costume added to the band’s signature mystique, creating a visual spectacle that matched the intensity of the music. The performance was both hypnotic and electrifying, making it one of the most exciting sets of the night. Festival goers looking for early night energy also had plenty to enjoy, including the DJ keeping the party going inside the Crazy Horse Tent.
Meanwhile, inside the Barney Danson Theatre, The Longest Johns proved to be one of the most sought-after acts of the evening. A wildly long lineup formed well before showtime, and unfortunately not all of those waiting were able to get inside. Those who made it were rewarded immediately, as the band had the crowd enthusiastically singing along from the opening moments, transforming the venue into a community sea shanty experience.
Over at the Hard Rock Stage, located behind the Canadian War Museum, Jermaine Holmes opened the evening with captivating storytelling and soulful sounds that immediately connected with the audience. He was followed by Disabled Planet, whose set unfolded like a carefully crafted performance piece. Beginning with slow, jazzy tones and backstage voices, the band members gradually emerged one by one, building both the sound and anticipation as the performance developed.
On the RBC Stage, Jade Hilton kicked off the night with stories of recent performances and local connections that resonated with early arrivals who had braved the rain. Her authenticity and connection with the crowd set a welcoming tone for the evening.
Jessie Murph followed with a performance that blended vulnerability and star power. Spinning across the stage and singing directly to her fans, she created several memorable moments, including a particularly beautiful song performed seated on the set on stage. With the wind catching her hair and fans singing every word back to her, it was one of the evening’s most visually striking performances.
Headliner Cody Johnson closed out the main stage, though our photographer was not granted the opportunity to shoot his set. While many fans stayed to enjoy the performance, the night concluded with an unexpected fireworks display. The fireworks, reportedly leftover from Canada Day celebrations, were not announced beforehand and drew mixed reactions; some welcomed the surprise finale, while others were caught off guard by the sudden display.
Despite soggy conditions, day one of Ottawa Bluesfest showcased the festival’s diversity and resilience. From intimate moments under the LeBreton tent to packed theatre performances and high-energy main stage acts, the opening night proved that a little rain isn’t enough to dampen Ottawa’s biggest summer music celebration.







