Ottawa Bluesfest – Day 4
Bluesfest Sunday: Turning Up the Heat
Photos & Review by Cole Lewis
Day four of Ottawa Bluesfest arrived with scorching temperatures, but the artists were more than ready to match the heat. Across every stage, fans were treated to energetic performances, memorable moments, and a fitting end to the festival’s first weekend.
The night got off to a fast start at the LeBreton Stage with Les Rats d’Swompe, who packed the tent and had people dancing within moments of taking the stage. Their infectious energy was highlighted by a call-and-response song that had the entire crowd joining in, making for a fantastic start to the evening.
Keeping the momentum going was Rev. Peyton’s Big Damn Band, whose high-energy set had fans fully embracing the band’s boisterous roots sound. Crowd favourite “Poor Until Payday” had people singing and moving along, but the biggest reactions came near the end of the set. Reverend Peyton pulled out a guitar made from an axe, while “Washboard” Breezy Peyton set her washboard on fire and continued playing without missing a beat. It was a spectacle that left the crowd cheering for more.
Closing out the LeBreton Stage was Hazlett, whose unique folk sound and laid-back style provided the perfect way to cool things down after two energetic performances. His relaxed set offered a welcome contrast and gave fans a chance to settle into the evening.
Inside the air-conditioned comfort of the Barney Danson Theatre, Kelly McMichael drew in a crowd looking to escape the heat. Her melodic voice and engaging performance created an intimate atmosphere that stood out amid the larger outdoor shows.
Over at the Hard Rock Stage, it was a night dedicated to hip-hop. Mehdi Cayenne got things underway by leading the crowd through a stretch session, that they’d need it for the dancing ahead. From there, he launched into his uplifting and energetic set, setting the tone for the night.
DijahSB followed with a performance packed with confidence and energy. The Dance Dance Revolution-inspired visuals behind them added to the atmosphere as the crowd continued to grow. By the end of the set, fans were fully warmed up and ready for the night’s headliner.
When bbno$ took the stage, the area was overflowing with fans bouncing, dancing, and singing along. Tracks like “Edamame” and “1-800” were clear crowd favourites, sending the audience into a frenzy and capping off one of the most energetic sets of the night.
On the RBC Main Stage, Summersets opened with a relaxed vibe before gradually building momentum throughout their set. Their folk-inspired sound proved to be a fitting lead-in for what was to come.
Ottawa-born Leif Vollebekk was clearly thrilled to be performing for a hometown audience. Throughout his set, he showcased not only his musicianship but also the deep personal connection he has with his music. During a pause between songs, Vollebekk shared a thoughtful message about looking out for one another, staying safe, and supporting those around you. At the same time, he encouraged people to take chances and embrace new experiences while respecting their own limits. It was a message that resonated beyond the festival grounds.
Finally came the performance many had been waiting for all night: The Lumineers. The band made the most of the massive stage, utilizing multiple performance areas throughout the evening to give as many fans as possible a close-up experience. Opening with “Same Old Song” and “Flowers in Your Hair,” they quickly had the crowd in the palm of their hands. As the set progressed, hit after hit rang out across LeBreton Flats, with thousands of voices joining together on “Ho Hey.”
It was a memorable way to close out both the weekend and the first week of Bluesfest. After four days of incredible performances, fans headed home with two days to recharge before the festival returns for its second week. The weather may have been hot, but the music was even hotter.








